TI ME LI NE // EN IL EM IT
I thought of a new story in a different way, even different versions of old and repetitive stories!
I have always seen time as an invisible thread stitching together what was, what is, and what has yet to exist. Maybe that’s why I’m endlessly fascinated by things that can steal a fragment from time itself.
Photography, to me, is not just capturing an image; it is borrowing a heartbeat from the present and hiding it safely inside the future, where it will one day return as a memory of the past.
Every photograph becomes a small rebellion against disappearance, a way of telling time that some moments deserve to stay.
Or like Paintings or maybe graphic design, which capture and connect the present for the future from the past.
Paintings / Graphics, in addition to the time factor, could be done differently when no other tool can do the same, as it translates.
A task similar to a simulation, of course, with a difference in the simulation time factor that connects the present to the infinite future.
Perhaps the final form of time that fascinates me is history.
Not as something fixed in the past, but as a living structure moving in two directions at once. It carries fragments of the past into the present and the future, while at the same time allowing the present to reshape how the past is remembered.
History feels strange to me, almost architectural in the way it builds itself through layers: transparent sheets placed one over another, each carrying its own atmosphere, emotions, and narrative.
Alone, each layer tells only a single story, but together they create depth, distortion, and meaning a complex composition where time is never truly linear, only endlessly overlapping.
